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Anna Girò

Musiker · Geboren 1710

Anna Girò wird in 9 Sprachen etwa 36 Mal am Tag gelesen.

Ein typischer Tag, 30 Tage bis 24. August 2026

Der mittlere Tag der gezählten Tage, damit eine Nachrichtenwoche ihn nicht verschieben kann. Die Linie darunter zeigt die letzten 60 Tage, ein Punkt pro Tag.

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Anna Girò (geb. um 1710 in Mantua; gest. nach 1748), auch bekannt als Anna Giraud, La Mantovana, geboren als Anna Maddalena Tessieri war eine französisch-italienische Opernsängerin (Mezzosopran).

Text aus Wikipedia, CC BY-SA 4.0

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Ospedale della Pietà (source unknown). The building no longer exists.Ospedale della Pietà (source unknown). The building no longer exists.The first two pages of the aria "La figlia, lo sposo"[13] written specifically for Girò. This aria concludes the second act of Vivaldi's Motezuma. The music of Motezuma was thought to have been lost in its entirety, but fragments of it, among which this aria, were discovered in 2002 in the archive of the music library of the Sing-Akademie zu Berlin.The first two pages of the aria "La figlia, lo sposo"[13] written specifically for Girò. This aria concludes the second act of Vivaldi's Motezuma. The music of Motezuma was thought to have been lost in its entirety, but fragments of it, among which this aria, were discovered in 2002 in the archive of the music library of the Sing-Akademie zu Berlin.Frontispiece and cast from the libretto of the 1723 Treviso premiere of La Ninfa Infelice e Fortunata. Girò made her debut in this pastoral opera. She played the role of "Mirtillo, pastore amante di Filli" (Mirtillo, shepherd in love with Filli) as "La Sig. Anna Giro di Mantova" (Miss Anna Girò from Mantua). Her first professional role was en travesti.Frontispiece and cast from the libretto of the 1723 Treviso premiere of La Ninfa Infelice e Fortunata. Girò made her debut in this pastoral opera. She played the role of "Mirtillo, pastore amante di Filli" (Mirtillo, shepherd in love with Filli) as "La Sig. Anna Giro di Mantova" (Miss Anna Girò from Mantua). Her first professional role was en travesti.Frontispiece and cast from the libretto of the 1726 production of Giovanni Porta's Agide, Re di Sparta. Girò appears under the role of "Filoastro, Principe amante di Antianira, Capitano delle guardie reali" (Filoastro, Prince in love with Antianira, Captain of the royal guards) as "La Sig. Anna Girò Mantovana" (Ms Anna Girò, Mantuan). This is another breeches role for Girò. Giovanni Porta's name appears preceded by del celebre (by the famous).Frontispiece and cast from the libretto of the 1726 production of Giovanni Porta's Agide, Re di Sparta. Girò appears under the role of "Filoastro, Principe amante di Antianira, Capitano delle guardie reali" (Filoastro, Prince in love with Antianira, Captain of the royal guards) as "La Sig. Anna Girò Mantovana" (Ms Anna Girò, Mantuan). This is another breeches role for Girò. Giovanni Porta's name appears preceded by del celebre (by the famous).Frontispiece and cast from the libretto of the 1726 premiere of Vivaldi's Dorilla in Tempe. Girò appears under the role of "Eudamia, ninfa amante non corrisposta d'Elmiro" (Eudamia, nymph, feeling unrequited love for Elmiro). Vivaldi's name appears preceded by del celebre (by the famous).Frontispiece and cast from the libretto of the 1726 premiere of Vivaldi's Dorilla in Tempe. Girò appears under the role of "Eudamia, ninfa amante non corrisposta d'Elmiro" (Eudamia, nymph, feeling unrequited love for Elmiro). Vivaldi's name appears preceded by del celebre (by the famous).Frontispiece and cast from the libretto of the 1728 premiere of Vivaldi's Rosilena ed Oronta at the Sant'Angelo Theatre in Venice.[22] This dramma per musica (musical drama) was put together for the Carnival. Girò sings "Oronta, Reina vedova d'Armenia" (Oronta, widowed Queen of Armenia), a seconda donna role. Vivaldi had already written a prima donna role for her in Farnace (Tamiri) the year before. But Oronta, if not a prima donna role, is still one of the title characters.Frontispiece and cast from the libretto of the 1728 premiere of Vivaldi's Rosilena ed Oronta at the Sant'Angelo Theatre in Venice.[22] This dramma per musica (musical drama) was put together for the Carnival. Girò sings "Oronta, Reina vedova d'Armenia" (Oronta, widowed Queen of Armenia), a seconda donna role. Vivaldi had already written a prima donna role for her in Farnace (Tamiri) the year before. But Oronta, if not a prima donna role, is still one of the title characters.Frontispiece and cast from the libretto of the 1728 premier of Gallupi's and Pescetti's Gl'Odj Delusi dal Sangue. Girò is once again playing a role en travesti: "Evandro, creduto figlio d'Oreste poi scoperto figlio di Mezenzio, amante di Turia" (Evandro, thought to be Oreste's son, then revealed to be Mezenzio's son, in love with Tiria).Frontispiece and cast from the libretto of the 1728 premier of Gallupi's and Pescetti's Gl'Odj Delusi dal Sangue. Girò is once again playing a role en travesti: "Evandro, creduto figlio d'Oreste poi scoperto figlio di Mezenzio, amante di Turia" (Evandro, thought to be Oreste's son, then revealed to be Mezenzio's son, in love with Tiria).Frontispiece and cast from the libretto of the 1729 production of Leonardo Vinci's Catone in Utica in Florence. Girò is listed under the role of "Emilia, vedova di Pompeo" (Emilia, widow of Pompey) as "La Signora Anna Girò di Venezia" (Ms Anna Girò from Venice). In this production Girò is reprising a female role which was created the year before by the castrato Giovanni Ossi ("Il Sig. Giovanni Ossi, virtuoso di S.E. il Sig. prencipe Borghese").[26]Frontispiece and cast from the libretto of the 1729 production of Leonardo Vinci's Catone in Utica in Florence. Girò is listed under the role of "Emilia, vedova di Pompeo" (Emilia, widow of Pompey) as "La Signora Anna Girò di Venezia" (Ms Anna Girò from Venice). In this production Girò is reprising a female role which was created the year before by the castrato Giovanni Ossi ("Il Sig. Giovanni Ossi, virtuoso di S.E. il Sig. prencipe Borghese").[26]

Zur Person

Anna Girò (geb. um 1710 in Mantua; gest. nach 1748), auch bekannt als Anna Giraud, La Mantovana, geboren als Anna Maddalena Tessieri war eine französisch-italienische Opernsängerin (Mezzosopran). Bekanntheit erlangte sie für ihre Zusammenarbeit mit dem Komponisten Antonio Vivaldi, der für sie mehrere Opernrollen schrieb.

Text aus Wikipedia, CC BY-SA 4.0

Kategorie
Musiker
Art
Sänger / Musiker
Daten
Geboren 1710

Musiker, geboren in den 1710er-Jahren 6

Johann Ludwig Krebs49,5Ignaz Holzbauer49,0Georg Christoph Wagenseil50,6Caffarelli48,8William Boyce52,7Ramprasad Sen48,1

Fame.am misst Signale öffentlicher Sichtbarkeit. Es misst nicht den Wert eines Menschen, Talent, Moral oder Glaubwürdigkeit.