Peter Greenaway
Vereinigtes Königreich · Regisseure · Geboren 1942 · Alter 84
Peter Greenaway wird in 40 Sprachen etwa 594 Mal am Tag gelesen.
Ein typischer Tag, 30 Tage bis 20. Oktober 2026
Der mittlere Tag der gezählten Tage, damit eine Nachrichtenwoche ihn nicht verschieben kann. Die Linie darunter zeigt die letzten 395 Tage, ein Punkt pro Tag.
Stimmt etwas nicht?Peter Greenaway, CBE (* 5. April 1942 in Newport, Wales) ist ein britischer Filmregisseur, Experimentalkünstler, Drehbuchautor, Kameramann und Filmeditor.
Text aus Wikipedia, CC BY-SA 4.0
Stationen eines Lebens
Tintoretto: A Rebel in VeniceFilm, Producer2015
Eisenstein in GuanajuatoFilm, Director, Writer2014Annual award ACFKAuszeichnungBAFTA Outstanding British Contribution to Cinema AwardAuszeichnung2012
Goltzius & the Pelican CompanyFilm, Director, Writer2008“There are only two subjects that matters, one is sex and the other is death, what else we could talk about it. And most the cinema talks all the time about sex and death.”Eigene WorteOktober 2008Interview with El Tiempo in Bogotá, Colombia. October 20082007Golden Calf for Best ScriptAuszeichnung
NightwatchingFilm, 2007Director, Writer2004
KulturplatzSerie
The Tulse Luper Suitcases, Part 2: Vaux to the SeaFilm, 2004Director, Writer2001Time Machine AwardAuszeichnung1999“It's precisely on the Internet that the majority of the writing is terribly bad and uninteresting.”Eigene WorteMai 1999In an interview in Page, May 1999
8 ½ WomenFilm, 1999Director, Writer1997“We went to Kyoto -- back to Japan -- to work in the Matsuo Tiasha shrine which Sei Shonagon had visited regularly. I couldn't give up such an opportunity.”Eigene Worte9. November 1997Nagiko's journal for Nov 9 19971994“Finally we hit upon the old cathedral of Amsterdam, which belongs to the Reformed Church and which we remodeled.”Eigene WorteJanuar 1994From an interview in Positif, January 19941993“The start of a film is like a gateway, a formal entrance-point. The first three minutes of a film make great demands on an audience's patience and credulity.”Eigene WorteA book, written to accompany an exhibition at the Palazzo Fortuny in Venice in 1993.
The Baby of MâconFilm, 1993Director, Writer1991“And I've also written a play called Miranda, about what happens afterwards on the ship on the way home. It's about what happens to innocence and how it has to be destroyed.”Eigene WorteDezember 1991During the filming of Prospero's Books, quoted in an interview in American Film, Nov/Dec 19911990
A TV DanteSerie, Director1989Sitges Film Festival Best Director awardAuszeichnung
Death in the SeineFilm, 1989Director1987
The Belly of an ArchitectFilm, Director, Writer1984
Making a SplashFilm, Director1982
The Draughtsman's ContractFilm, Director, Writer1980Sutherland TrophyAuszeichnung1978
A Walk Through HFilm, Director, Writer1974
WindowsFilm, Director, Writer1966TrainFilm, Director1942Geboren5. April 1942Fotos 5
In ihren eigenen Worten 10
There are only two subjects that matters, one is sex and the other is death, what else we could talk about it. And most the cinema talks all the time about sex and death.
It's precisely on the Internet that the majority of the writing is terribly bad and uninteresting.
I was continually connected with the whole world and never got any rest. At the moment, I spend only a few hours weekly on the net, that's just better for me.
Auf YouTube
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Gemeinsamkeiten mit Peter
Fame.am misst Signale öffentlicher Sichtbarkeit. Es misst nicht den Wert eines Menschen, Talent, Moral oder Glaubwürdigkeit.
























